The Mythogenetic Grove

Myth, Folklore & Fairytales

Interview: Angela Slatter, Author of Locus-Nominated VIGIL

by on May.13, 2017, under Interviews, Myth, Folklore & Fairytales

What’s the best way for an author to start her day, according to Angela Slatter?
Coffee! Or the beverage of choice. And of course, this is all just how I start my day; everyone is different, but I try to start in a way that sets me up to go on in a productive manner. So: wake up, have breakfast, do 20 mins of yoga or a walk around the block. Come back, shower, put on real clothes so it feels like you’re going to do a job (not just sit at home in your PJs), then check your email and the internet for a mandated amount of time. Deal with the work emails, save the personal ones for later, don’t spend too much time on Facebook or Twitter for that way lies madness. Check your to-do list and start on the next project in order of deadlines proximity.

Don’t forget to stand up and walk around every half an hour or so to keep blood flowing, muscles moving and your back from seizing up. Make sure you have a lunch break, take it away from your desk and, again, have a mandated period of something not writing-related (like bad tv). Set an alarm so you get up and go back to work. Be wary of time as it’s a slippery thing!

What projects are you working on right now?
Right now: I’ve just this very minute finished typing up final corrections to the novel Corpselight after a two day proofreading binge, so that’s winging off to the publisher; I’m about to start a severe edit on a story called “Our Lady of Wicker Bridge” that’s due at the end of the month; I’m writing a story called “Sherlock Holmes and the Mayfair Vampire”; I’m editing the text for a picture book called Genevieve and the Dragon, illustrated by Kathleen Jennings; I’m working on the first draft of the third Verity Fassbinder novel, Restoration; I’m writing a lecture on writing horror to deliver at the Boonah Regional Writers Festival at the end of the month; I’m packing for a trip to Tasmania over Easter to do some film and tv work with Vicki Madden who wrote The Kettering Incident; and I’m working on little bits and pieces in prep for the launch of Corpselight in July. Obviously not quite working on them all at once, but they are at the top of the priority list at the moment.

Everyone has a different personal working definition of myth. There’s the macro, Campbellian “hero’s journey” kind of definition, the postmodern, and the layperson’s idea of myth as being a cognate of fairytales. What’s your working definition, as someone whose works are suffused with mythic resonance?
I’ll just go with something very simple: A traditional tale from long ago to explain things early humans didn’t understand, often using supernatural beings as the culprit. That’s very simplistic. In terms of using myth, I like the resonance, I like to creating a feeling of having a myth brush up against my stories and leave a trace but not necessarily their own shape there.

Which of your collections that you’ve authored are dearest to you, and why?
Oh! That’s a hard choice, but since I always force people to choose between their babies it’s only fair it happen to me! Probably (and this is as at April 2017) The Bitterwood Bible and Other Recountings. Why? Because it felt like a huge “click” moment for me in terms of writing craft and skill, like I’d levelled up what I was able to create as a writer. I love all my babies, but Bitterwood feels like the one that become self-aware fastest … which makes it sound like Skynet … also, it has illustrations by Kathleen Jennings!

Name your five favourite fairytales?
The Little Match Girl; Donkeyskin/Catskin/All-Fur; Tatterhood; The Robber Bridegroom; Fitcher’s Bird.

One of the things I love best about your work is the manner in which you seamlessly weave in aspects of the Gothic with fantasy motifs, and those of fairytales. I suspect, like me, you’ve read Angela Carter’s treatise on how the fairytale is inherently Gothic, but I also feel you’d have new insight because your stories have the richness of someone who lives and breathes these Gothic markers. Would you like to talk a bit about that?
I have read a lot of Carter for academic purposes, but I suspect none of that is foremost in my mind when I write. I think that my years and years of reading before I ever thought of writing as a proper career have just laid down a layer of gothic and fairy tale-y sensibility that you couldn’t separate from me now. Reading original fairy tales, reading Carter and Tanith Lee and the Brontë Sisters and the like have all just left an indelible mark on how I think when I’m telling a story.

Yes, the fairy tale is inherently Gothic … but the fairy tales came first, so maybe the Gothic is actually inherently fairy tale-y? All the things that are frightening in the Gothic mystery: darkness, the unknown, family members that are dangerous to us, mysteries to be uncovered, the fate of overly curious kids (generally girls), are all markers of the fairy tale … just a thought.

 What will you be working on after you’re done with the Verity Fassbinder books?
I will be turning a novella (unpublished) The Briar Book of the Dead, into a novel – it’s set in the Sourdough world, so I’m really looking forward to doing a novel-length work there. And I’ll be finalising the third Sourdough world collection The Tallow-Wife and Other Tales. I also have a couple of novels I’d like to go back to (Well of Souls and Gate of the Dead) now that I know more about novel writing, and I want to finish Morwood and Blackwater, which are standalone gothic novels. And I would like to start working on a Sourdough graphic novel series.

What’s your advice for authors like us who are working on our craft during troubling times?
Be true to yourself. Be generous to others. If you get a chance make space for diverse writers who maybe are not getting a look in with publishers – if you’ve got some degree of power or influence, use it in a good and positive way. Don’t do favours in expectation of thanks, but just because it’s good for your karma. And if someone does favours for you, then be grateful, express your thanks, and don’t keep asking for more.

And in times like these it’s sometimes hard to keep going because you wonder about the importance of what you do – rest assured it IS important. What we do keeps independent thought alive, gives hope, points a finger at naked emperors and reminds everyone that following the crowd isn’t a good idea, and that not speaking out because you’re worried about what others think is the worst idea ever, because silence is what gives bullies room and encouragement to grow.

What’s the best way for an author to end her day?
For this author in particular it’s dinner with housemates, then watching a program together, then playing some Elder Scrolls Online, and finally going to sleep with a book or graphic novel (I’m partial to re-reading Mike Mignola’s Hellboy and Pretty Deadly by Kelly Sue DeConnick and Emma Ríos, and at the moment am re-reading Monstress by Marjorie Liu and Sana Takeda and yearning for the next trade issue of it).

BIOGRAPHY: Angela’s debut novel, Vigil, was released by Jo Fletcher Books in 2016, with Corpselight and Restoration to follow in 2017 and 2018. She is the author of eight short story collections. Angela has won a World Fantasy Award, a British Fantasy Award, one Ditmar Award, and five Aurealis Awards. Angela has been a Queensland Writers Fellow, the Established Writer-in-Residence at the Katharine Susannah Prichard Writers Centre, and received career development grants from Arts Queensland and the Copyright Agency’s Cultural Fund. She has an MA and a PhD in Creative Writing. Angela has just been nominated for a Locus Award for her Vigil.

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A Very Short Commentary on Amor & Psyche

by on Jul.13, 2014, under Essays, Articles, Lists, Myth, Folklore & Fairytales, Mythos

Psyche Opening The Golden Box by John William Waterhouse

In the introduction to his excellent compilation of Classic French Fairy Tales Jack Zipes noted that Moliere and Corneille’s production of Psyche “played a role in the development of the beauty-and-the-beast motif in the works of Mme. d’Aulnoy”.  The tale referred to is “The Green Serpent” (also known as “The Green Snake”), written during the period of the French `salon faerie tales during the reign of the Sun King(Louis XIV) (which in its turn inspired a delightful movement in Ravel’s Mother Goose Suite). However, Laidronette is not the only tale that has been influenced by this legend. The beauty and the beast motif may in fact be found in various folktales. This tale type requires a quest, and an act of redemption via love and/or forgiveness. This includes the different variations of “The Beauty and the Beast” and the Norweigen folktale “East of the Sun, West of the Moon”. If we draw the connection even farther then indubitably, my favourite Scottish ballad “Tam Lin” also falls within this category of mysterious, magical lovers in beastly-or not so beastly garb. Coincidentally, all of them needed to be rescued, in some way. Which is probably what drew me in the first place, the very idea that fairytale damsels are not totally in distress. In fact, in an inordinate amount of tales they seem to be the hero!

One of the earliest, if not the first instance of the tale, or rather, allegory of Cupid and Psyche, appeared in Lucius Apuleius’s “The Golden Ass”. In Apuleius’s work, the allegory is related in the manner of a tale within a tale. The allegory here is of the human soul being tormented and then led onto the road to love. Psyche is also the Greek word for ‘soul’ while the Latins call love Cupido. I’ve always found it interesting that the embodiment of the human soul comes in the guise of a woman while love comes in the guise of a man (or an older woman, if you take into account the role Venus plays in these proceedings) — and in my old age I find that rather problematic.

Another haunting version of the myth may be found in C.S. Lewis’s Till We Have Faces, a story that resonates deeply with me even though I read it after I had written my eighteen page long “Stormlight” epic poem in 1996, leading to the creation of my hypertext web which in its turn inspired my Watermaidens Trilogy (in progress), a three book long epic fantasy based in part on this mythic/folklore type.

Further Reading

Related Books: A Reading List

  1. Fable of Cupid and Psyche by Thomas Taylor (Translator), Adaurensis Apuleius, Manly P. Hall (Preface)
  2. The Golden Ass by Lucius Apuleius
  3. The Golden Ass of Apuleius: The Liberation of the Feminine in Man by Marie-Louise von Franz
  4. Till we have Faces: A Myth Retold by C.S Lewis,Fritz Eichenberg (Illustrator)
  5. Beauty and the Beast : And Other Classic French Fairy Tales by Jack David Zipes (Editor)
  6. Amor and Psyche by Erich Neumann, Ralph Manheim (Translator)
  7. Bulfinch’s Mythology: The Age of Fable; or Stories of Gods and Heroes by Thomas Bulfinch
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Faerie Culture/Subculture Online

by on Jul.13, 2014, under Lists!, Myth, Folklore & Fairytales

Since the internet slowly became accessible to many in the 1990’s, there has been an explosion of sites dealing with Faeries. It evolved into a culture of its own, splintering into different groups as diverse as the Gothic to the Wiccans. There are also those interested in the Faerie stories of their youth, associating these entities with benign, angel-like spirits representing innocence and goodness. This list is by no means exhaustive, as I have only picked out what I considered to be the most relevant for this list, as well as those providing the most information.

*Last update: 1 January 2018

Articles, Essays and Other Relevance

Abducted by the Faeries?

An essay by Jeremy Harte about faerie abduction. It is a relief to bump into articles and essays such as these which actually cite sources and sound like some thought has been put into it considering the pages upon pages of poorly researched sites I’ve had to wade through! Other essays by Harte found on the `Net include Hollow Hills which is about the fabled dwelling places of Faerie, the intriguing Dark Green – Some Disturbing Thoughts about Faeries and Medieval fairies: Now you see them, now you don’t.

Lost in Faery: Wandering in the magical thorn thickets of the mind

An article linking faerie belief to the landscape of the mind: inclusive of Jungian psychoanalysis, by Elisabeth Oakland. Also an essay which contains citation, which gets this site’s nod of approval.

Arthur Conan Doyle & The Cottingley Fairies

An article by Josh Jones about the curious case of The Cottingley Fairies that intrigued Sir Arthur Conan Doyle. It refers to and argues a bit with this Haunted Museum article by Troy Taylor.

WB Yeats on fairies: ‘At Howth, a great colony of otherworld creatures travel nightly

An excerpt in the Irish Times from Handbook of the Irish Revival: An Anthology of Irish Cultural and Political Writings 1891-1922.

E-texts and other valuable resources

Geman Changeling Legends

Translated by D. L. Ashliman who is arguably the `Net’s most valuable source of information on folklore and fairytales with his exhaustive library of texts.

Fairy Legends and Traditions by Thomas Crofton Croker [1825]

The complete e-text of Croker’s hard to find book.

The Fairy-Faith in Celtic Countries by W.Y. Evans Wentz [1911]

Another e-text: an ethnographical study of the Fairy Faith.

Subcultural Visuals: The Professionals

Much of the current craze in Faeries is fueled by the work of fantasy and mythopoeic artists who have made their vision of the Otherworld accessible to the masses. This section lists the more popular “usual suspects”, who are also the largest victims of copyright infringement. Fame, apparently, is a mixed blessing.

The World of Froud

The art of Brian and Wendy Froud. Brian is perhaps one of *THE* most influential figures in so far as conceptualizing Faeries in this current age is concerned. His art and art derivative of his vision can be found everywhere on the `Net. A beautifully designed site. For more information read Faeries and The World of Froud, an article by Terri Windling.


Stephanie Pui-Mun Law’s site is more than just Faerie pictures. Mythic contexts abound, and is a true feast for both the eyes and the mind of mythopoetically inclined visitors.

Subcultural Proponents: Examples of Faerie Subculture online

One of the first sites that incited the formation of an online Faerie Subculture. This site created a networking system for those Faerie-inclined and brought forth the idea of humans somehow being Faeries. This made this site very popular (as well as much-imitated).

Faerie Magazine

One of the most popular resources for all things Faerie over the past few years!

Faery Events

One of the most intriguing things I’ve seen develop over the past decade or so is the rise of costumed events and costumed subcultural proponents which combine a steampunk aesthetic with fey aesthetic. A lot of this is connected to the gothic subculture, but only to a certain extent. The Faery Balls and conventions that occur worldwide are a prime example of this phenomenon.

Faerie Websites of Note

Sites which are a happy marriage of attractive design, interesting information, and that something extra which makes them worth revisiting.

Hidden Ireland – A Guide to Irish Fairies

A well designed and comprehensive site detailing several denizens of the irish faerie pantheon. Interesting and intelligent write-ups coupled with lovely art.

Pook’s Hill

One of the oldest resources on faeries on the web, dealing with Puck and other tricksters who have made their way into popular culture via folklore and literature.

Italian Faery
Providing a glossary of the Italian Faerie Pantheon.


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Myth, Folklore and Fairytales Online: An Annotated List

by on Jul.13, 2014, under Lists!, Myth, Folklore & Fairytales

Since the World Wide Web went “public” in the mid-to-late 1990s, there have been a plethora of sites dealing with myth and folklore that have come and gone. This list combines and connects resources related to myth as well as folklore and fairytales. While the ontological structure and behavior of a myth differs from that of a fairytale, there are enough cross-overs between the two storytelling forms. Some of the sites listed below appear to have realized this as well, as their purview straddles both types of tales.

Myth Resources

Encyclopedia Mythica

One of the oldest resources online- still the place to go if you’re looking for quick mythic reference.


A fairly straightforward resource dealing with Greek, Roman and Celtic mythology.

Myths Encyclopedia

A comprehensive encyclopedia and resource for world myths.

Godchecker – your Guide to the Gods

Boldly proclaiming that they have “more gods than you can shake a stick at” and that they provide “mythology with a twist”, Godchecker is an exuberant resource that provides a look at different mythologies, gods and spirits from different parts of the world. Also check out their official twitter which tweets you a different God per day so you can read up on the relevant mythic entry.

Mythic Crossroads

A comprehensive directory of Mythic links with annotations.

Joseph Campbell Mythology Group Resource Page

Like the title promises, a resource page for online references in mythology, comparative spirituality and anthropology with a bias towards Joseph Campbell.

Cultural and Regional-Specific Myth Essays and Guides

Introduction to Hinduism

An excellent resource for Hindu mythology, especially with regards to iconography.

African Mythology

An article by the Myth Encyclopedia about themes, motifs and roots in African mythology.

Indian Mythology

A thoughtful resource on Indian Mythology, connected to Indian spirituality and the meanings behind mystical icons and signs.

The Gods of Africa

An offshoot of, this page seeks to provide a comprehensive list of Gods in African mythology from different parts of Africa.

Creation in African Thought

A thoughtful and critical essay on Creation Myths and African concepts of creation

Sipapu: The Anasazi Emergence into the Cyber World

Intriguing glimpse into the world of the Anasazi.

Theoi Greek Mythology

The Theoi Greek Project provides an in-depth look not just at the themes and characters in Greek Mythology but also instances of these themes in classical literature and art. It also provides the reader with a much-welcomed Theoi Classical Texts Library so background reading into the featured myths may be done. Goodies include the Orphic Hymns and various fragments and poems by Hesiod. Well-designed site which provides a valuable resource!

Illustrated Encyclopedia of Greek Mythology

A helpful educational resource for students and teachers.

Mythology, Folklore and Cultural Contexts

C.G. Jung Page

C.G. Jung, Archetypal Psychology, Cultural Mythology and more.

Joseph Campbell Foundation

Information on Joseph Campbell, his work and other resources.

Earthlore Explorations: The Contemporary Relevance of Cultural History

A remarkable endeavour that looks for mythic (as well as mystical) contexts in history and culture.

Endicott Studio

At the forefront of the drive towards interstitial arts, Terri Windling’s site features thought-provoking articles on both myth and folklore, galleries and interviews with proponents of this “movement”.
Featuring the “Journal of Mythic Arts”.

The SurLaLune Fairy Tale Page

Exhaustive Folklore and Fairytale resource- a *MUST* visit if you’re actively pursuing information.


A site devoted to “devoted to cultures, living and ancient, and the promotion of world communication and world peace”

Magazines, Journals and Semi-prozines for Academic Writing, Essays, Articles and Fiction/Poetry

Marvels & Tales: Journal of Fairy-Tale Studies

Literary Journal for Fairy Tale scholars and other academically inclined folklorists. One of the best resources available for contemporary peer-reviewed articles on folklore.

Journal of Mythic Arts

Now discontinued journal which is an offshoot of the Endicott Studio for the Mythic Arts, this trailblazing journal is still a valuable archive of posts, articles and resources for all things pertaining to the mythic arts.

Cabinet des Fées

A magazine and blog which features stories and poems written in the grand tradition of revising and revisiting fairytales. Host to critical and well-thought out reviews on books, anthologies and other literary contributions to the genre as well as critical essays on fairytales.

Goblin Fruit: A Quarterly Journal of Fantastical Poetry

A fairly established recent independent online quarterly journal which features poetry written with mythic and fairytale themes in mind. The poetry and recordings of poetry are all of literary quality and the site is a delight to navigate.

New Fairy Tales: The Online Magazine of New Fairytales

This magazine is unique in that it reaches back into something that not many realize today. Apart from retold folktales which contain mythologems, fairytales can also be literary tales with certain qualities. As a site that encourages the germination of newer fairytales and fables, it sits nicely in an overlooked niche not just in the online fairytale market.

Les Bonnes Fees

An online magazine accepting submissions and publishing critical and non-fiction articles on fairytales, as well as news about current literary offerings in the genre.

Dante’s Heart: A Journal of Myth, Fairytale, Folklore and Fantasy

Dante’s Heart is a mixed genre/medium online Journal which accepts submissions for mythic art, poetry, fiction, theatre, flash presentations etc and is committed towards the active creation of myths and reclaiming it within an artistic venue. It combines the traditional expectations of text with the potential for online venues for performance spaces and is therefore something to watch out for!


Internet Sacred Text Archive

Good place to start for students/seekers of myth, anthropology, comparative religion and spirituality.

Folklore and Mythology Electronic Texts

One of the oldest and most comprehensive online repository of faerie tales, myths and other relevant texts and links.

Theoi Classical Texts Library

Need to brush up on your Greek myth? Forgotten exactly which classical text an allusion comes from? This library is an invaluable resource for the student or enthusiast of Greek mythology.

The Golden Ass by Lucius Apuleius

Complete E-text of the novel by Apuleius, featuring the first recorded instance of the Legend of Cupid and Psyche.

Sejarah Melayu Library

An invaluable resource containing PDF files to historical and fictional accounts of the Malay Archipelago, linked to the myths, legends and folk tales found in the Sejarah Melayu (Malay Annals)


Mythic Passages

Newsletter of the Mythic Imagination Institute which is supports the
Mythic Journeys conference.

Fables: Folklore and Speculative Fiction

Atmospheric and welcoming resource for mythopoets and fantasists online.

Standing Stones

Joseph Campbell Mythology Group Newsletter


Aquafemina’s newsletter, brought out every moon. Exploration of myth, spirituality and art

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Arthropod Trails #5: Much Ado About Mermaids

by on Jul.13, 2014, under Arthropod Trails, Essays, Articles, Lists, Myth, Folklore & Fairytales

It’s been well over two years since the last installment of this series of posts that used to be known as Anansi’s Trail, and there have been some pretty good reasons for that long gap in-between posts. However, I shall resume this series, and it seems a no-brainer that the next installment should be about Mermaids. Ever since the Discovery Channel’s programme on mermaids earlier this year (in May), there’s been an interesting amount of press and feedback that even resulted in an official statement from the U.S. National Ocean Service to reiterate that No, Mermaids Do Not In Fact Exist!

I greet this with a mixture of intrigue, a teeny bit of resignation and a healthy dose of hilarity. People have been looking for proof of mermaids for as long as there have been people. From Columbus, to the various Youtubers who keep posting evidences (simulated, artistically contrived or otherwise) that mermaids exist.


Mermaids are a powerful draw and exist as a symbol for the intersection between the known and the unknown. As beings that are inherently liminal, they haunt, and will continue to haunt many of us. Perhaps this may explain the rising popularity of Mermaid YA novels this year*; one hopes this interest will help strengthen efforts towards the conservation of our marine life, because, need I remind you, there are countless denizens of the deep that are in danger of being fished or poisoned into extinction, even if we do not take into account climate change.

Heidi Anne Heiner of SurLaLune Fairytales has said a great deal concerning mermaid culture on the internet and concerning the rising interest in Mermaids due to the aforementioned Discovery “mockumentary”. Quoth Heiner:

“After all of my mermaid research and studies a few years ago, I have to admit I am firmly convinced that mermaids do not exist in our reality. But they are magical, wondrous beings along with their many related iterations across cultures.”

The SurLalune Fairytales Blog is always a delight to visit, and if you’re interested in developments in the scaly world of mermaids on the internet, I’d suggest paying attention to the mermaids category on her blog.


In Mythical Mermaid:The Missing Link Between Man and Fish, Greg Laslo opines:

“The more cynical, and probably more correct, take on the whole mermaid thing was that the mermaid became a symbol of empire and domain, a creature that demonstrated one’s ability, in a national sense, to travel to disparate parts of the world and, of course, come back again. Mermaids were common figureheads on sailing ships from many countries for hundreds of years, and there are mermaids on the bridge supports in St. Petersburg, Russia, along canals that lead out to sea.”

Laslo’s strongly worded article traces the aftermath of travel and colonial influence, citing for instance, the case of the mami wata and makes for a fascinating, if not entirely unproblematic read. Still, much food for thought.


Mermaid culture on the internet is not merely about scholarship or in the belief of whether these water-based visions are real or if it really matters whether or not they exist. A lot of it has to do with the idea of beauty, of what we hold to be beautiful, or otherworldly. I could make an argument that the image of a siren on the rocks, combing her hair, baring her upper body to the world while her lower regions remain safely tucked within glittering scales has very much to do with the male gaze. I could, but for my love of mermaids, and for my love of the water. Besides, I suspect most daughters of the sea would scoff at you should you decide to claim that they adorn themselves for the benefit of those supposedly amorous onlookers.

I posit that mermaids are a duality. And duality is always about choice. You could choose to be lovely, or watermaidenly, you could choose to bedeck your hair and your arms with ornaments, or you could indeed, chose to be a snarky, spinsterish type of mermaid. Whichever version you choose to be, there are plenty of venues for visual inspiration, whether dodgy or legitimate.

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